An Idle Weekend: Captured On My Cellphone

A sunset near Bandra Fort

Some hard and spicy realities of life.. Struggle for survival

Some more sunsets at Bandstand (PDA was not fined at that point! and the tides weren't so high. Check them out today!)

And a play at Prithvi



And some light reading through the night....

Can an idle weekend be better than this?

Theatre Watch: Karode Mein Ek

A Makarand Deshpande play, Karode mein ek is a very sensitive portrayal of a patriarch who has gone insane after losing his wealth due to the betrayal by his own brothers.

The story starts at a point where Bansidhar’s (Makarand) son (Yashpal Sharma) and his daughter-in-law are struggling with the whims and split identities of Bansi, who refuses to believe that he has lost his wealth and stature. He revels in his lost glories, has forgotten his young daughter who cannot stop caring about his father, remembers small anecdotes from his yesteryears, is in love with his younger son’s (an imaginary one) wife(again, imaginary!). Yashpal, on the other hand, is trying to fight for respectable survival, keeps running around courtrooms and people who can help him. The daughter’s husband keeps coming up with ideas that never work. Yashpal’s wife keeps living and enacting multiple identities (mother, daughter, wife, daughter-in-law) to meet Makarand’s whims. Yashpal’s son and daughter are trying to make a name for themselves so that they can earn some money for their family as well. And there is the “Sarkar” angle of a friend for whom Bansi used to write speeches, and who later becomes the parallel government of Mumbai. The story ends at Bansi’s split personality killing his brothers and acting like the police inspector who is in charge of arresting Bansi. Bansi eventually kills himself, and Yashpal, with all his frustrations with his father and of being a failed son, becomes partially insane himself.

It takes a while to realize how much pain everyone is going through. The frustration of loving someone, and the difficulties in dealing with reality are the essence of this play. Makarand, Yashpal and Ayesha take this play to a higher level through their performances. The use of stage is phenomenal with the “other room” where Bansi sits, the partial illumination to give the effect of hope that never dies, and the interplay of shadows to highlight split personalities, being just a few masterstrokes. Background score is good, but could’ve been better. The story does not seem very new, but the dialogues are extremely tight and smooth. The disappointments were some of the support actors like the son-in-law and the (imaginary) daughter-in-law.

If you get a chance, do watch it. Its fairly experimental, with a lot of comic moments and some great performances!